सभी का स्वागत
All Welcome
All Welcome
Britannia Café is a lovely piece of vintage Bombay which is slowly disappearing. It was built in the early twenties by George Wittet, the architect who also built the Gateway of India to greet George V on his visit to Bombay. We were recently at Britannia, sipping Thums Up in its faded elegance.
Boman Kohinoor is the owner of the café. He ambles over to us and addresses us. “How old do you think I am?” he asks. We study him. He is wiry and lean and peers at us through his thick glasses. He gives us a clue. “I’m as old as this place.” Finally he tells us. “I was born in 1923. The same year as Britannia opened.” He says with a wide, wise smile. He shares his name with the famous diamond claimed by the British to crown Queen Victoria the Empress of India.
Next to us a pair of posh ladies take tea. They talk in the refined English of upper class Bombay. On our other side is a table of students taking a very late breakfast. They are eating hot buttered toast and drinking chai. They manage to devour their food hungrily and chatter loudly at the same time. On another table are a pair of earnest backpackers, who have probably read about Britannia in their dog-eared copy of the Lonely Planet Guide. They look excited to be here.
Britannia looks like it always did. Fans turn slowly under high ceilings. Bentwood chairs are reflected in stained mirrors, hung amongst ancestors’ faded sepia portraits. Exposed wiring droops across flaking blue walls. The image of a classic Bombay Café. It’s not that hot yet. But as the temperature rises, Britannia will become a haven from the city heat. As it has been, for many years.
Mr. Kohinoor’s pride is tempered with sadness. “Fifty years ago there were hundreds of these cafés. Now there are only thirty. Our children just don’t care. They go abroad, to make money. When I’m gone, they tell me they’ll close Britannia.”
The berry pulao arrives – a dish still spoken of by many Bombayites. Mr. Kohinoor takes the plate from the waiter and places it on our table for us to share. “Enjoy your food” he says. He pauses, smiles again, and returns slowly to his rightful place in the chair by the front door.
The origins of chintz can be firmly – and humbly – traced back to 16th century India. The word ‘chintz’ is derived from the Hindi word ‘chint’, meaning spotted or splattered. These intricate designs and endless patterns were traditionally hand-printed using wooden blocks - kalamkari - and brilliantly coloured natural dyes.
We often find it too easy to hurtle through the days, in an attempt to outpace the bustling city – be it London or Bombay – which always seems to be running away like a steam-engine train on a rickety track. Occasionally, it does us good to pause for thought, to disembark the carriage and sit on the platform awhile.
How does one create a space where people can truly connect over food? How can a host make their guests feel relaxed, at ease, and suitably cared for? Since launching our all-new Dishoom Crockery, we have been pondering the answers to these questions even more than usual. We recently discussed them with Creative Director - and frequent dinner party hostess - Kirthanaa Naidu when we invited her to create a first-class tablescape in our Canary Wharf café.
Each year, the spring equinox – when day and night are equal length – marks a transition in earth’s relationship with the sun. This event, sacred to many cultures throughout history, today thrives as a new year celebration for hundreds of millions.
In Bombay, London, and throughout the South Asian diaspora, you’ll find many folks of the Zoroastrian faith (amongst others) celebrating this new year, or Navroz as we like to call it.