The Dishoom Carnaby story

November. 1967. Heathrow airport. A young man leans against the Oceanic terminal’s high windows, waiting for the final call for BOAC flight 774 to Bombay. He takes a long drag on his cigarette and stares into the heavy rain driving down onto the tarmac.

The passing travellers are openly curious to see a tall, striking Indian (actually, an Irani – not that they’d understand the distinction) dressed in stylish clothes. The women’s eyes linger on him. They look away. Look again. Smile a little when he catches them. Today he doesn’t smile back.

In his breast pocket sits a folded telegram. He can feel it there like a weight, a palm-print of heavy sadness on his chest. It arrived three days earlier with the news that would send him into a tail-spin of grief, guilt and confusion. “Your father has passed. Come home. We need you.”

It has been several years since he first came to London from Bombay. Since his family waved him off, their pride and joy, gone to study in England. Only for him to be seduced by the city, first making excuses to extend his stay and then breaking the news that he could not, would not, return to the life his parents had laid out for him. His mother had begged him to come back. His sister had written endless imploring letters. Most painful of all, his father had gradually just stopped communicating with him.

But how could he have walked away from this whirlwind of excitement, so different from deeply conservative India? The music that gave him the chills… The parties, the clubs, the cocktails, the beautiful uninhibited girls, even (occasionally) the drugs… He had found himself drawn into a world where anything and everything was possible. Heady discussions into the early hours about changing the world, music and revolution, dancing in Ad-Lib next to David Bailey and Jean Shrimpton, tripping at sunrise on Primrose Hill…

But deep down he had always known he was living on borrowed time. Mixed in with his grief was a feeling that his life as the charming Londoner, the exotic and accomplished songwriter with a flat off the King’s Road and a beautiful blonde girlfriend, was drawing to an end.

His father’s passing would leave a gaping hole in the family. His mother and sister would be utterly devastated. They would need to be looked after. He was not even sure he had yet understood the fact of his father’s death. He just felt numb. After all these years, he suddenly had so much to ask him, so much to say to him.

His father had been bread-winner, protector, head of the household – even a figure in the community. And of course, Irani café owner. It was a role his father – and his grandfather before him – had taken very seriously. Their dedication and loyal service to guests had seen the family business grow from a scruffy street-corner café to a smart new premises in Churchgate.

Final call. He sighs heavily and stubs out his cigarette. He picks up the small leather case carrying his favourite threads from Mates Boutique and Lord John. He travelled light; most of the things he loved had been left behind. He thinks of his guitars, the trunks full of LPs, the artworks he has carefully collected.

He is suddenly conscious how absurdly foreign his English possessions would look at home. He remembers India as backwards, dull and insular, painfully restrictive. He allows himself to imagine that perhaps things may not be as they were. He has heard about some of the ‘beat’ music bands from some Bombay musicians who came overland to London in a VW camper. His sister had mentioned in a letter that his old friend Ramzan had started a club, not far from their café, where these bands played covers of Western hits.

He turns and walks slowly towards the gate. The air stewardess smiles at him and checks his boarding pass. This time he smiles back, but he can’t hide the deep sadness in his eyes.

He pauses for a second and pulls the papers out of his breast pocket. He gazes at the return ticket in his hand before he puts it back his pocket, alongside the telegram. He steps out into the rain and onto the dark wet tarmac to board the plane home.

Dishoom Carnaby is now open! 

Read the café stories

Suggested Reading

See the journal

Dishoom Loves. Issue VIII.

The sun is momentarily out again. Calendars are fast filling up. There’s many a thing to do and many a friend to meet. And if we may kindly add to the excitement and the plan-making, here’s our list of what we’re looking forward to in September. 

Memories from the Fringe

While we were at Edinburgh Fringe Festival, we caught Evening Conversations, an engaging show by Sudha Bhuchar. We caught up with her after the show to talk about her journey and her views on South Asian representation on screen, which you can read below. And for those who didn’t walk down the cobbled streets of the city or stumble into an impromptu performance this year, we highly recommend it for 2024.

Dishoom Loves Edinburgh Fringe Festival

Each year as August dawns, the streets and rooms and corners of Edinburgh fill with music, art, laughter and song. Wander into grand halls and pokey pubs, as the morning sun rises or in the dark of night, to see creations of every kind as part of the Edinburgh Fringe Festival. In honour of this wonderful celebration of the performing arts (and as a little treat), here’s a special edition Dishoom Loves, covering all the acts we’ve circled on our festival programme.

76 Years on, there is still much learning to be done

For anyone looking to learn or read more on Partition, this page holds a series of resources, for all ages, created by people knowledgeable and knowing about such matters. It is by no means definitive – we have simply found them to be useful, inspiring and accessible.