➺ Tell us a little bit about yourself and your journey to becoming an artist.
I’m a visual artist who’s always been drawn to the unseen structures that shape perception – the geometries of thought, memory and rhythm that exist beneath the surface of things. Growing up in Jaipur, I was surrounded by spaces where architecture, craft and daily life intertwined, from the grand temples and forts to the intimate streets and bustling markets.
Those experiences shaped the way I read form and pattern, and how I sense the ways spaces hold both past and present. Studying in London deepened this awareness, offering new ways to translate experience into visual language. Living in Bombay now, my work continues to explore the meeting point between inner and outer worlds.
➺ Can you shed some light on your artistic style?
My style moves between structure and intuition. Working with gouache, grid paper and found fragments, I create layered compositions where geometry meets organic flow. I often draw from urban infrastructure, sacred geometry and the anatomy of inner life. Through colour, repetition and rhythm, I try to create visual spaces that feel meditative and alive. My works are like quiet maps, tracing connections between what we see and what we feel – an invitation to pause, look closer, and sense the stillness beneath movement.
➺ What was the inspiration behind your lovely limited-edition Chai Tin?
I turned my attention to the Irani cafés of Bombay, not as nostalgia but as an architecture that has been lived and remembered. The folding grills, tiled floors and iron latticework became visual anchors that I reimagined through my own lens. I wanted to capture both the physical and emotional memory of these spaces, infusing the essence of tea as a ritual – its rhythm through the day, its pauses, its quiet moments of gathering. The Chai Tin became a small vessel of urban memory, holding structure, colour and the beauty of the everyday.
