So, I exhale once more and open my eyes, and I’m here now, in 2025. It’s a fair distance we’ve travelled since 2010. Nervous new café to fifteen of them today. Countless plates of food across the pass, countless drinks across the bar. Adventures, misadventures, tailwinds and headwinds, and one big pandemic. As I look back, I don’t think success is necessarily the number of years (although I’m grateful for each one of them), and I certainly don’t think it is shiny expansion or glossy accolades.
I think perhaps success is the quiet daily work. It’s seva. It’s our team. It’s the feeling of serving the most satisfying dish, which is most true and faithful to its Bombay roots, or the most thirst-quenching drink, in lovely surroundings in which lights glow golden and scents evoke fond memories. It’s reaching the milestone of 25 million meals donated to school children in India and the UK, as we have this year
Success is honouring the old Irani cafés, where all kinds of people from all walks of life share tables. Shared spaces beget shared experiences, and shared experiences mean better communities. So for us, success is inviting our guests and team members to tie rakhis on someone from another faith when we celebrate Raksha Bandhan in our cafés each year. It is the events we’ve hosted these past fifteen years for Holi and Ramadan and Eid and Diwali, which bring people of all different cultures and faiths together, differences being a reason for exuberant celebration, and never for resentful judgement.
Success is also surely the slightly barmy idea of inventing a unique fictional owner for every Dishoom we open. It is investigating each character’s story deeply for months, writing it, re-writing it, understanding it, documenting it, and expressing it in design (and sometimes even in immersive theatre, or with an LP): whether it’s the history of Indian independence in our King’s Cross restaurant, the Swadeshi movement in Birmingham, Bombay’s history of espionage and the rise of Bombay noir in Glasgow, or the 1970s Bombay rock scene in Carnaby. It’s the jokes connected to these stories that we paint in Hindi and Gujarati on our walls. It’s embedding a little bit of Keats in a menu description. It’s baking the stories of Irani cafés onto our plates in Shoreditch for all to read.
As I write, I find it hard to do justice to the deep gratitude we feel for all those who, over these past fifteen years, have been our companions on this journey. So many who have done so much, poured their hearts and minds, their love and their intellect, into this work that we do. Thank you, and thank you again. And profoundest, profoundest gratitude is due to you, O treasured patrons of our livelihoods – our guests – who leave us with your wallets slightly lighter and your stomachs slightly heavier than when you arrived. We are literally nothing without you.
My father, the late, great Rashmi Thakrar, who passed away too, too soon, believed that “for something to truly succeed, it must have a little poetry at the heart of it.” This idea steers us in perhaps every single one of our endeavours. My father was our most joyful and ardent cheerleader, and finder-in-chief of obscure nuggets for us to turn into fully-formed ideas. He is surely the reason that Dishoom is so full of stories. He also believed in reincarnation. I’d like to think he’s somewhere reading this, smiling with delight and wishing us a happy fifteenth birthday.